drencrome:

http://drencrome.tumblr.com/

i-love-czech-film:

From Jaromil Jireš´s 1970 surreal romantic horror Valerie and Her Week of Wonders (Valerie a týden divů)

(Source: eliseeatydendivu, via cinefamily)

pixography:

Gilbert Williams

pixography:

Gilbert Williams

(via usefulavocado)

horroroftruant:

Grindhouse Horror Movie Posters (9 Images)

Grindhouse is an American term for a theater that mainly showed exploitation films. It is thought to stem from the defunct burlesque theaters on 42nd Street, New York, where “bump n’ grind” dancing and striptease used to be on the bill. In the 1960s these theaters were put to new use as venues for exploitation films, a trend which continued strongly throughout the 1970s in New York City and other urban centers, mainly in North America, but began a long decline during the 1980s with the advent of home video.

Exploitation film is an informal label which may be applied to any film which is generally considered to be low budget, and therefore apparently attempting to gain financial success by “exploiting” a current trend or a niche genre or a base desire for lurid subject matter. The term “exploitation” is common in film marketing for promotion or advertising in any type of film. These films then need something to exploit, such as a big star, special effects, sex, violence, or romance. An “exploitation film”, however, due to its low budget, relies more heavily than usual on “exploitation”. Very often, exploitation films are widely considered to be of low quality, and are generally “B movies”. Even so, they sometimes attract critical attention and cult followings. Some films which might readily be labeled as “exploitation films” have become trend setters and of historical importance in their own right, such as Night of the Living Dead (1968). Some films also might be advertised by the producers themselves as “exploitation films” in order to pique the interest of those who seek out films of this type.

(via rexcreamercoffeeseeker)


the OILY MANIAC (1975)

the OILY MANIAC (1975)

(Source: ronaldcmerchant, via rexcreamercoffeeseeker)

bardo78:

My Own Private Idaho, 1991
When I left home the maid asked me where I was off to, I said ‘Wherever, whatever, have a nice day.”

bardo78:

My Own Private Idaho, 1991

When I left home the maid asked me where I was off to, I said ‘Wherever, whatever, have a nice day.”

(via stonecoldplayer)

nicolaswindinqrefn:

American Psycho (2000)

(via rexcreamercoffeeseeker)

(Source: 1109-83)

(Source: 1109-83)

(Source: 1109-83)

moviepostersgalore:

Pi (1998)
A paranoid mathematician searches for a key number that will unlock the universal patterns found in nature.

Director:
 Darren Aronofsky

Writers:
 Darren Aronofsky, Darren Aronofsky (story), 4 more credits »

Stars:
 Sean Gullette, Mark Margolis, Ben Shenkman |See full cast and crew »

moviepostersgalore:

Pi (1998)

A paranoid mathematician searches for a key number that will unlock the universal patterns found in nature.

Director:

 Darren Aronofsky

Writers:

 Darren AronofskyDarren Aronofsky (story), 4 more credits »

(via beatastic)

motheatonn:

hideback:

Cicada, Stages of Conventionalization
Hugo Froelich, Keramic Studio Magazine, 1905

Abstract cicada is !

motheatonn:

hideback:

Cicada, Stages of Conventionalization

Hugo Froelich, Keramic Studio Magazine, 1905

Abstract cicada is !